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Kapellekensbaan

Esta serie profundiza en las complejidades de la modernización y su impacto en las vidas individuales, especialmente en un entorno postindustrial. Sigue la ambición de una protagonista por escapar de sus humildes orígenes a través de la astucia y la aspiración, solo para descubrir que su egocentrismo conduce a oportunidades desperdiciadas. La narrativa explora temas como la fe en el progreso, la alienación y la búsqueda de valores vitales genuinos en medio de una lucha persistente contra circunstancias adversas. Ofrece una reflexión profunda sobre nuestro propio mundo y el anhelo humano por una existencia mejor.

Summer in Termuren
Der Kapellekensweg. Roman
Chapel Road

Orden recomendado de lectura

  1. 1

    Chapel Road

    • 340 páginas
    • 12 horas de lectura

    The narrative intertwines the childhood of Ondine and her brother Valeer-Traleer with the life of author Louis Paul Boon, who is creating his own novel titled Chapel Road. This vibrant tale features a cast of eccentric characters, including the artist Tippetotje and the outspoken journalist Johan Janssens, reflecting on societal issues. Additionally, it weaves in the myth of Reynard the fox and Isengrinus the wolf, exploring themes of greed, hypocrisy, and human folly. The book captures the essence of life on Chapel Road, spanning from the 1800s to the present.

    Chapel Road
  2. 1

    Der Kapellekensweg. Roman

    • 576 páginas
    • 21 horas de lectura

    Ein Klassiker der niederländisch-flämischen Moderne, der die verzweifelte Liebesgeschichte zwischen der kleinen Ondine und der großen Welt erzählt. Der Roman vereint europäische Geschichte und Provinzleben in einer neuen, vollständigen Übersetzung und markiert den Beginn der modernen niederländischen Literatur.

    Der Kapellekensweg. Roman
  3. 2

    Summer in Termuren

    • 489 páginas
    • 18 horas de lectura

    This, the author writes, is "the novel of the individual in a world of barbarians." It is the story of Ondine and Oscarke, a young married couple adrift in a Belgian landscape that is darkening under the spread of industry and World War I. Ondine, who "came to serve god and live," finds that she must "serve the gentlemen" instead. Oscarke, an aspiring sculptor, finds himself unsuccessfully scouring Brussels for work and, when he is finally hired, too tired to make his own art. They grow old and their four children grow up as "technology and mechanization, unemployment, fascism, and war" take over around them. War destroys their attempts to establish a better life, which they seek continually and against all odds. And the chapters about these characters, some of whom first appeared in Chapel Road, alternate with chapters about Boon himself, who describes the impossibility of modern life and the destruction of war. As this wide-ranging novel progresses, the author's struggles--both with writing and with his own life--come more and more to resemble those of his characters.

    Summer in Termuren